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Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Chinatown looks at a space where families have migrated for work.

Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Boon Keng portrays a more developed part of Singapore with newer HDB units that emphasise people who have work-orientated values and spend less time at home.

Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Commonwealth shows the mid-construction phase of a unit and includes details which show that the direction of Singaporean communities is left ambiguous.

Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore.
It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Dover depicts a Singapore where early HDBs were built and it features families that hold fast to traditional values; Four Stories Chinatown looks at a space where families have migrated for work; while Four Stories Boon Keng portrays a more developed part of Singapore with newer HDB units that emphasise people who have work-orientated values and spend less time at home; and finally Four Stories Commonwealth shows the mid-construction phase of a unit and includes details which show that the direction of Singaporean communities is left ambiguous.







































Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Dover depicts a Singapore where early HDBs were built and it features families that hold fast to traditional values.
Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Chinatown looks at a space where families have migrated for work.
Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Boon Keng portrays a more developed part of Singapore with newer HDB units that emphasise people who have work-orientated values and spend less time at home.
Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore. It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Commonwealth shows the mid-construction phase of a unit and includes details which show that the direction of Singaporean communities is left ambiguous.
Four Stories is a commentary on communal life in a Housing Development Board (HDB) unit—a quintessential part of Singapore.
It focuses on the unique details that define these communities. I chose the mono-print medium because of the textural patterns that imply wear and tear over time. Four Stories Dover depicts a Singapore where early HDBs were built and it features families that hold fast to traditional values; Four Stories Chinatown looks at a space where families have migrated for work; while Four Stories Boon Keng portrays a more developed part of Singapore with newer HDB units that emphasise people who have work-orientated values and spend less time at home; and finally Four Stories Commonwealth shows the mid-construction phase of a unit and includes details which show that the direction of Singaporean communities is left ambiguous.